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The film is Sugar, the second feature from the Half Nelson team of Ryan Fleck and Anna Boden, and they continue to combine a powerful naturalism with a refusal to allow that “naturalism” to become “tedium.”
The story follows Miguel “Sugar” Santos (Algenis PĂ©rez Soto), a 19-year-old professional pitching prospect, from a training academy in his native Dominican Republic through spring training and his first minor-league assignment in a small Iowa town. The expected culture shock ensues—only knowing enough English to order one breakfast from the diner menu; enjoying hotel-room porn; eating meat loaf with the nice farm family he stays with—but Sugar is more than a fish-out-of-water tale. In the course of exploring a very specific milieu, Fleck and Boden capture something universal about the appeal of America as a land of dreams, and the collision of those dreams with harder realities. Low-key yet engrossing performances from the entire cast contribute to a tremendous piece of human drama. Turns out my sports draft analogy from yesterday was more appropriate than I knew; there’s an obvious #1 pick after all. (Scott Renshaw)
Yay...! I've always said that old t-shirt phrase "sports is life" is absolutely true. This film sounds like it captures that truism beautifully, especially the "life" part. Looking forward to its release. -- Holly Mullen
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